AdMIRe 2010: 2nd International Workshop on Advances in Music Information Research In conjunction with the IEEE International Conference on Multimedia and Expo (ICME), Singapore Date of the Workshop: July 23, 2010
> Last year's AdMIRe workshop (AdMIRe 2009) |
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The
International
Workshop on Advances in Music Information Research (AdMIRe) serves
as a forum for
theoretical and practical discussions of cutting edge research in the
fields of Web mining for music information extraction, retrieval, and
recommendation as well as in mobile applications and services. Research
on multimodal
extraction, retrieval, and presentation with a focus on
the music and
audio domain is especially welcome. So are submissions
addressing
concrete implementations of systems and services by both academic
institutions and industrial companies. |
2010-07-25: Photos of AdMIRe 2010 published. |
2010-07-20: Room in which AdMIRe will be held announced. |
2010-05-26: Preliminary Program changed. |
2010-04-19: Keynote speaker Prof. Geraint Wiggins confirmed. |
2010-04-13: Preliminary Program is available. |
2010-04-01: Camera Ready Submission Deadline extended to April 28. |
2010-03-22: Notification postponed to April 8. |
2010-03-04: Paper Submission Deadline extended to March 14. |
2010-01-25: Submission system is open. |
2010-01-20: Call for Papers is available. |
2010-01-18: Added confirmed Program Committee Members. |
2010-01-13: AdMIRE 2010 will be
held in conjunction with IEEE ICME 2010 in Singapore. |
2010-01-12: New Financial Chair. |
2009-12-29: AdMIRe 2010 Web page
set up. |
Music information retrieval (MIR)
as a subfield of multimedia
information retrieval has been a fast growing field of research during
the past decade. In traditional MIR research, music-related information
were extracted from the audio signal using signal processing
techniques. These methods, however, cannot capture semantic information
that is not encoded in the audio signal, but nonetheless essential to
many consumers, e.g., the meaning of the lyrics of a song or the
political motivation or background of a singer. In recent years, the emergence of various Web 2.0 platforms and services dedicated to the music and audio domain, like last.fm, MusicBrainz, or Discogs, has provided novel and powerful, albeit noisy, sources for high level, semantic information on music artists, albums, songs, and others. The abundance of such information provided by the power of the crowd can therefore contribute to MIR research and development considerably. On the other hand, the wealth of newly available, semantically meaningful information offered on Web 2.0 platforms also poses new challenges, e.g., dealing with the huge amount and the noisiness of this kind of data, various user biases, hacking, or the cold start problem. Another recent trend, not at last addressable to platforms like Apple's iPhone or Google's Android, are intelligent user interfaces to access the large amounts of music usually available on today's mobile music players and the corresponding services. Mobile devices that offer high speed Web access allow for even more music to be consumed via Web services. Dealing with these vast amounts of music requires intelligent services on mobile devices that provide, for example, personalized and context-aware music recommendations. The current emergence and confluence of these challenges make this an interesting field for researchers and industry practitioners alike. |
The Call for Papers is available as HTML and as PDF. |
AdMIRe
2010 solicits regular
technical papers of up to 6
pages following the ICME
author guidelines. The
proceedings of
the workshop
will be published as
part of the IEEE ICME 2010
main conference proceedings and will be
indexed by IEEE Xplore.
Papers
must be original
and not submitted to or accepted by any other
conference or journal. Moreover, we will seek opportunities to publish
extended versions of particularly
outstanding
papers in a journal related to the field. All submissions to this workshop will be peer-reviewed by at least three Program Committee members. The review process will be double-blind. |
Topics of Interest
Music Information Systems |
Multimodal User Interfaces |
Context-aware Music Applications |
User Modeling and Personalization |
Social Networks and Collaborative Tagging in the Music and Audio Domain |
Web Mining and Information Extraction in the Music Domain |
Combination of Web-based and Signal-based Information Extraction Methods |
Mining and Analysis of Music Video Clips |
Mining and Analysis of Music-Related Images / Artwork |
Music Recommendation |
Semantic Web, Linking Open Data and Open Web Services for the Music and Audio Domain |
Ontologies, Semantics and Reasoning in the Music and Audio Domain |
Similarity Measurement |
Evaluation, Mining of Ground Truth and Data Collections |
Music Information Retrieval, Services, and Applications for Mobile Devices |
Music Indexing and Retrieval Techniques |
Exploration and Discovery in Large Music Collections |
Multimodal Semantic Content Analysis |
Full Paper Submission | March 14, 2010 |
Notification of Results | April 8, 2010 |
Camera Ready Submission | April 28, 2010 |
Program Chairs
Markus Schedl | Department of Computational Perception, Johannes Kepler University, Linz, Austria |
Òscar Celma | Barcelona Music and Audio Technologies, Barcelona, Spain |
Peter Knees | Department of Computational Perception, Johannes Kepler University, Linz, Austria |
Financial Chair
Klaus Seyerlehner | Department of Computational Perception, Johannes Kepler University, Linz, Austria |
Program Committee
Preliminary Program
Session AdMIRe (1) | Room: 313, Chair: Markus Schedl |
08:50 - 09:00 | Opening Remarks |
09:00 - 10:00 | Keynote Speech by
Geraint Wiggins ![]() > The Experience of Musical Listening |
10:00 - 10:20 | Break |
Session AdMIRe (2) | Room: 313, Chair: Markus Schedl |
10:20 - 10:40 | Tin Lay Nwe, Minghui Dong, Paul Chan, Xi Wang, Bin
Ma, Haizhou Li ![]() > Voice Conversion: From Spoken Vowels to Singing Vowels |
10:40 - 11:00 | Liang
Wang, Sabu Emmanuel, Mohan Kankanhalli ![]() > EMD and Psychoacoustic Model Based Watermarking for Audio |
11:00 - 11:20 | Noam Koenigstein, Yuval Shavitt, Tomer Tankel, Ela
Weinsberg, Udi Weinsberg ![]() > A Framework for Extracting Musical Similarity from Peer-to-Peer Networks |
11:20 - 11:40 | Ching-Hua Chuan ![]() > Efficient High-dimensional Retrieval in Structured P2P Networks |
11:40 - 12:00 | Jun Wang, Xavier Anguera, Xiaoou Chen, Deshun Yang ![]() > Enriching Music Mood Annotation by Semantic Association Reasoning |
12:00 - 12:20 | Markus Schedl, Cornelia Schiketanz, Klaus Seyerlehner
![]() > Country of Origin Determination via Web Mining Techniques |
Geraint
Wiggins Department of Computing in Goldsmiths' College, University of London, UK |
The
Experience of Musical Listening Biography: Geraint A. Wiggins was educated first in Mathematics and Computer Science at Corpus Christi College, Cambridge, and then to PhD in Computational Linguistics at the Department of Artificial Intelligence in the University of Edinburgh. He took a second PhD in Musical Composition, also at Edinburgh, in 2005. Since 1987, Geraint has been conducting research on computational systems for music, with a strong emphasis on cognitively motivated approaches. Current interests in research are based around statistical models of implicit learning, and how they can form the basis of models of human listening. |
Submissions will be managed by the ICME workshop submission system. Please register here if you are a new author to the system. |
Markus
Schedl Department of Computational Perception Johannes Kepler University (JKU) Linz Altenberger Str. 69, A-4040 Linz, Austria Tel:
+43 732 2468 1512 |